Music
Ursula Creighton
Gelesen von Martha H. Weller





"So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent) (6 hr 55 min)
Kapitel
Introduction | 13:20 | Gelesen von Martha H. Weller |
Chapter 1. Early Music | 6:43 | Gelesen von Martha H. Weller |
Chapter 2. Greek Music | 6:46 | Gelesen von Martha H. Weller |
Chapter 3: Folk-Music | 4:14 | Gelesen von Martha H. Weller |
Chapter 4: Rhythm, Melody, Harmony and Qualities of Sound | 13:10 | Gelesen von Martha H. Weller |
Chapter 5: Mediaeval Music | 17:41 | Gelesen von Martha H. Weller |
Chapter 6: Polyphonic Music in England and on the Continent | 22:09 | Gelesen von Martha H. Weller |
Chapter 7: Virginals and Lutes | 13:40 | Gelesen von Martha H. Weller |
Chapter 8: The Beginnings of Opera | 12:58 | Gelesen von Martha H. Weller |
Chapter 9: Harpsichord Composers | 7:47 | Gelesen von Martha H. Weller |
Chapter 10: Purcell | 6:30 | Gelesen von Martha H. Weller |
Chapter 11: Bach and Handel | 34:21 | Gelesen von Martha H. Weller |
Chapter 12: The Father of Modern Music | 20:41 | Gelesen von Martha H. Weller |
Chapter 13: Italian Opera | 20:22 | Gelesen von Martha H. Weller |
Chapter 14: Mozart | 25:19 | Gelesen von Martha H. Weller |
Chapter 15: Beethoven | 15:59 | Gelesen von Martha H. Weller |
Chapter 16: Weber and Contemporary Opera Composers | 21:51 | Gelesen von Martha H. Weller |
Chapter 17: Schubert | 13:12 | Gelesen von Martha H. Weller |
Chapter 18: Paganini | 6:04 | Gelesen von Martha H. Weller |
Chapter 19: Berlioz | 13:50 | Gelesen von Martha H. Weller |
Chapter 20: Mendelssohn and Chopin | 9:59 | Gelesen von Martha H. Weller |
Chapter 21: Liszt | 14:12 | Gelesen von Martha H. Weller |
Chapter 22: Wagner | 27:55 | Gelesen von Martha H. Weller |
Chapter 23: Verdi | 9:23 | Gelesen von Martha H. Weller |
Chapter 24: Schumann and Brahms | 17:03 | Gelesen von Martha H. Weller |
Chapter 25: Some Russian Composers | 9:21 | Gelesen von Martha H. Weller |
Chapter 26: Some Modern Composers | 21:40 | Gelesen von Martha H. Weller |
Appendix. Form in Music | 9:36 | Gelesen von Martha H. Weller |