Sense and Sensibility (version 2)
Jane Austen
Gelesen von Mark F. Smith





This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility.
Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest.
But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all?
(Summary by Mark F. Smith) (13 hr 26 min)
Kapitel
Chapter 01 | 11:31 | Gelesen von Mark F. Smith |
Chapter 02 | 13:53 | Gelesen von Mark F. Smith |
Chapter 03 | 10:57 | Gelesen von Mark F. Smith |
Chapter 04 | 13:27 | Gelesen von Mark F. Smith |
Chapter 05 | 7:13 | Gelesen von Mark F. Smith |
Chapter 06 | 8:54 | Gelesen von Mark F. Smith |
Chapter 07 | 8:50 | Gelesen von Mark F. Smith |
Chapter 08 | 8:45 | Gelesen von Mark F. Smith |
Chapter 09 | 12:27 | Gelesen von Mark F. Smith |
Chapter 10 | 14:14 | Gelesen von Mark F. Smith |
Chapter 11 | 10:18 | Gelesen von Mark F. Smith |
Chapter 12 | 11:11 | Gelesen von Mark F. Smith |
Chapter 13 | 14:05 | Gelesen von Mark F. Smith |
Chapter 14 | 10:10 | Gelesen von Mark F. Smith |
Chapter 15 | 17:00 | Gelesen von Mark F. Smith |
Chapter 16 | 14:00 | Gelesen von Mark F. Smith |
Chapter 17 | 11:34 | Gelesen von Mark F. Smith |
Chapter 18 | 10:29 | Gelesen von Mark F. Smith |
Chapter 19 | 19:04 | Gelesen von Mark F. Smith |
Chapter 20 | 15:23 | Gelesen von Mark F. Smith |
Chapter 21 | 19:23 | Gelesen von Mark F. Smith |
Chapter 22 | 19:15 | Gelesen von Mark F. Smith |
Chapter 23 | 16:19 | Gelesen von Mark F. Smith |
Chapter 24 | 14:13 | Gelesen von Mark F. Smith |
Chapter 25 | 12:56 | Gelesen von Mark F. Smith |
Chapter 26 | 16:56 | Gelesen von Mark F. Smith |
Chapter 27 | 16:57 | Gelesen von Mark F. Smith |
Chapter 28 | 9:56 | Gelesen von Mark F. Smith |
Chapter 29 | 26:14 | Gelesen von Mark F. Smith |
Chapter 30 | 20:15 | Gelesen von Mark F. Smith |
Chapter 31 | 25:29 | Gelesen von Mark F. Smith |
Chapter 32 | 16:40 | Gelesen von Mark F. Smith |
Chapter 33 | 19:50 | Gelesen von Mark F. Smith |
Chapter 34 | 18:02 | Gelesen von Mark F. Smith |
Chapter 35 | 15:53 | Gelesen von Mark F. Smith |
Chapter 36 | 20:08 | Gelesen von Mark F. Smith |
Chapter 37 | 28:20 | Gelesen von Mark F. Smith |
Chapter 38 | 19:13 | Gelesen von Mark F. Smith |
Chapter 39 | 13:06 | Gelesen von Mark F. Smith |
Chapter 40 | 16:17 | Gelesen von Mark F. Smith |
Chapter 41 | 17:03 | Gelesen von Mark F. Smith |
Chapter 42 | 12:28 | Gelesen von Mark F. Smith |
Chapter 43 | 24:10 | Gelesen von Mark F. Smith |
Chapter 44 | 37:40 | Gelesen von Mark F. Smith |
Chapter 45 | 15:04 | Gelesen von Mark F. Smith |
Chapter 46 | 20:41 | Gelesen von Mark F. Smith |
Chapter 47 | 16:01 | Gelesen von Mark F. Smith |
Chapter 48 | 9:17 | Gelesen von Mark F. Smith |
Chapter 49 | 27:30 | Gelesen von Mark F. Smith |
Chapter 50 | 17:24 | Gelesen von Mark F. Smith |
Bewertungen
good, not great





Bicberly
There is a high pitched wine throughout this recording that makes it a less enjoyable listen than it could be. It's not ear-splitting, but it's not pleasant. It does take a minute to adjust to hearing an American male read Jane Austen. However I'd rather hear an honest American accent than a bad British one! For some reason he seems to start changing voices for the different characters very late in the story. Overall this is a well read version of a fun story.
Wonderful Book with Phenomenal Reader!





AddieMae
Great classic book read by a top notch reader. Mark Smith used a different voice for each character and has a spot on interpretation of the text. He consistently uses inflection beautifully which adds such depth of understanding and really engages the listener. Well done!





JMU
I really enjoyed listening to this audio book. It took me a little while to get used to a Jane Austin classic being read in American, but, it was really well read and I thoroughly enjoyed being able to listen while I worked. Thank you very much
Great read





Reshma
The story in itself is a little slow in the beginning but as it develops, the story is bound to grab your attention. Mark, on the other hand, sounded funny trying to imitate women and the eccentricities singular to their kind. A good try.
Excellent





Happy Hello
I don't know if your readers ever see these, but his reading is excellent. Very well done. I prefer Sense & Sensibility to Pride & Prejudice, myself. Somewhat less descriptively sordid (: Thank you !!
Great book





Patricia Lopez
I enjoyed this book so much that I had to listen again. So many details that I had missed the first time, so the 2nd time I got every detail. 🤗
Mr Smith is an amazing reader





A LibriVox Listener
Mr Smith did an amazing job reading Jane Austen. perfect tone and inflections. please keep on delighting our ears, Mr Smith





free LeonardPeltier
Very well read. Entertaining story. Some sentences are written in a complicated style that were difficult to understand.