The Woman in White - version 2
Wilkie Collins
Lu par Tony Addison





Possibly Wilkie Collins' most famous novel, The Woman In White remade the Gothic Horror novel by taking its characters and tropes and setting them in commonplace surroundings among "people like us", Featuring unforgettable characters such as the incomparable Count Fosco and the redoubtable Marion Halcombe (a woman for whom male Victorian readers politely inquired of Wilkie the address as they wanted to marry her), The Woman In White with its compassionate treatment of those suffering mental distress ought to be credited with having put the cause of mental health care a hundred years ahead - had not Jane Eyre with its madwoman in the attic been generally credited with the reverse. Read it for the female doubling central plot device alone - a rare feature in the writing of men about women. - Summary by Tony Addison (30 hr 8 min)
Chapitres
Chapter One | 1:13:06 | Lu par Tony Addison |
Chapter Two | 55:51 | Lu par Tony Addison |
Chapter Three | 59:49 | Lu par Tony Addison |
Chapter Four | 1:04:45 | Lu par Tony Addison |
Chapter Five | 39:53 | Lu par Tony Addison |
Chapter Six | 51:57 | Lu par Tony Addison |
Chapter Seven | 59:06 | Lu par Tony Addison |
Chapter Eight | 47:14 | Lu par Tony Addison |
Chapter Nine | 47:24 | Lu par Tony Addison |
Chapter Ten | 47:33 | Lu par Tony Addison |
Chapter Eleven | 44:36 | Lu par Tony Addison |
Chapter Twelve | 50:22 | Lu par Tony Addison |
Chapter Thirteen | 51:36 | Lu par Tony Addison |
Chapter Fourteen | 45:55 | Lu par Tony Addison |
Chapter Fifteen | 29:31 | Lu par Tony Addison |
Chapter Sixteen | 56:17 | Lu par Tony Addison |
Chapter Seventeen | 39:04 | Lu par Tony Addison |
Chapter Eighteen | 33:30 | Lu par Tony Addison |
Chapter Nineteen | 46:20 | Lu par Tony Addison |
Chapter Twenty | 10:19 | Lu par Tony Addison |
Chapter Twenty One | 1:09:43 | Lu par Tony Addison |
Chapter Twenty Two | 1:02:52 | Lu par Tony Addison |
Chapter Twenty Three | 1:06:39 | Lu par Tony Addison |
Chapter Twenty Four | 33:09 | Lu par Tony Addison |
Chapter Twenty Five | 53:19 | Lu par Tony Addison |
Chapter Twenty Six | 54:42 | Lu par Tony Addison |
Chapter Twenty Seven | 39:31 | Lu par Tony Addison |
Chapter Twenty Eight | 35:32 | Lu par Tony Addison |
Chapter Twenty Nine | 36:04 | Lu par Tony Addison |
Chapter Thirty | 33:58 | Lu par Tony Addison |
Chapter Thirty One | 49:39 | Lu par Tony Addison |
Chapter Thirty Two | 58:28 | Lu par Tony Addison |
Chapter Thirty Three | 48:12 | Lu par Tony Addison |
Chapter Thirty Four | 38:41 | Lu par Tony Addison |
Chapter Thirty Five | 48:03 | Lu par Tony Addison |
Chapter Thirty Six | 38:48 | Lu par Tony Addison |
Chapter Thirty Seven | 47:29 | Lu par Tony Addison |
Chapter Thirty Eight | 39:24 | Lu par Tony Addison |
Critiques
Sorry but I can't listen to this





Lancashire Listener
I feel strongly that reviews and comments must be honest. I have listened and enjoyed so many of these audio books and am very grateful to the readers who give their time so generously. I have given up listening to this book only 5 mins into it. I cannot rate the book itself given so little time but the reading is so stilted and lacking any inflection I am going to have to give up and seek a different version with an alternative reader.
Sometimes the reader ruins the book





A LibriVox Listener
What I hoped would be a great book was torture to the ear





I like books
I’ve not finished the book. But I did find that increasing the speed of the recording to 1.2 made it a lot easier listening. In fact I’ve found the speed adjustment up and down to be really helpful for many of the books.
oh dear





Lord de Ville
I gave up on this one after just a few minutes. I listened instead to the 2001 BBC dramatic version.
great book & the reader's voice is strange but not bad





Shawn Jarvey
i got used to the voice & didn't mind it.
wonderful listen





Amanda Blevins
Good book with a great reader. kept me on my toes





Pete Maybury
Excellent story. I was hooked from beginning to end





A LibriVox Listener
Great reading. Thank you so much!