Ebony and Crystal
Clark Ashton Smith
Leído por LibriVox Volunteers





As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius.
The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English."
Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry.
- Summary by Mary Kay and L'Alouette: A Magazine of Verse (3 hr 48 min)
Capítulos
Preface, by George Sterling | 2:28 | Leído por Mike Pelton |
Arabesque | 0:53 | Leído por Keith Louis |
Beyond the Great Wall | 1:19 | Leído por Keith Louis |
To Omar Khayyam | 3:52 | Leído por Thomas A. Copeland |
Strangeness | 1:44 | Leído por Sandra Cullum |
The Infinite Quest | 0:57 | Leído por Sandra Cullum |
Rosa Mystica | 1:20 | Leído por Sandra Cullum |
The Nereid | 1:29 | Leído por Sandra Cullum |
In Saturn | 1:09 | Leído por Damla Ozdemir |
Impression | 1:06 | Leído por Sandra Cullum |
Triple Aspect | 1:55 | Leído por Anusha Iyer |
Desolation | 1:11 | Leído por Keith Louis |
The Orchid | 1:00 | Leído por Amy Gramour |
A Fragment | 1:30 | Leído por Anusha Iyer |
Crepuscle | 0:46 | Leído por Sandra Cullum |
Inferno | 1:31 | Leído por Sandra Cullum |
Mirrors | 1:22 | Leído por S.A. Judasin |
Belated Love | 1:19 | Leído por S.A. Judasin |
The Absence of the Muse | 1:06 | Leído por JudyDerby |
Dissonance | 1:17 | Leído por Shakira Searle |
To Nora May French | 6:08 | Leído por Anusha Iyer |
In Lemuria | 1:22 | Leído por Leonard Wilson (1930-2024) |
Recompense | 0:51 | Leído por Keith Louis |
Exotique | 1:29 | Leído por Leonard Wilson (1930-2024) |
Transcendence | 1:16 | Leído por Shakira Searle |
Satiety | 1:22 | Leído por Anusha Iyer |
The Ministers of Law | 1:19 | Leído por Leonard Wilson (1930-2024) |
Coldness | 1:42 | Leído por S.A. Judasin |
The Desert Garden | 1:02 | Leído por Amy Gramour |
The Crucifixion of Eros | 1:21 | Leído por Shakira Searle |
The Exile | 1:27 | Leído por Leonard Wilson (1930-2024) |
Ave Atque Vale | 1:29 | Leído por Leonard Wilson (1930-2024) |
Solution | 2:10 | Leído por Leonard Wilson (1930-2024) |
The Tears of Lilith | 1:02 | Leído por Sandra Cullum |
A Precept | 1:05 | Leído por MaryAnn |
Remembered Light | 2:14 | Leído por MaryAnn |
Song | 0:45 | Leído por MaryAnn |
Haunting | 1:11 | Leído por MaryAnn |
The Hidden Paradise | 1:22 | Leído por Leonard Wilson (1930-2024) |
Cleopatra | 2:12 | Leído por Leonard Wilson (1930-2024) |
Ecstasy | 1:24 | Leído por Sandra Cullum |
Union | 0:53 | Leído por Amy Gramour |
Psalm | 2:37 | Leído por Leonard Wilson (1930-2024) |
In November | 1:13 | Leído por MaryAnn |
Symbols | 1:07 | Leído por MaryAnn |
The Hashish-Eater; or, the Apocalypse of Evil, Part I | 11:46 | Leído por Amy Gramour |
The Hashish-Eater; or, the Apocalypse of Evil, Part II | 16:38 | Leído por Amy Gramour |
The Sorrow of the Winds | 1:05 | Leído por MaryAnn |
Artemis | 1:23 | Leído por Leonard Wilson (1930-2024) |
Love is Not Yours, Love is Not Mine | 0:50 | Leído por Sandra Cullum |
The City in the Desert | 1:17 | Leído por MaryAnn |
The Melancholy Pool | 1:12 | Leído por MaryAnn |
The Mirrors of Beauty | 1:08 | Leído por MaryAnn |
Winter Moonlight | 0:54 | Leído por MaryAnn |
To the Beloved | 1:08 | Leído por MaryAnn |
Requiescat | 1:11 | Leído por Leonard Wilson (1930-2024) |
Mirage | 1:27 | Leído por Leonard Wilson (1930-2024) |
Inheritance | 1:16 | Leído por Anusha Iyer |
Autumnal | 1:09 | Leído por Shakira Searle |
Chant of Autumn | 1:22 | Leído por Shakira Searle |
Echo of Memnon | 1:10 | Leído por Anusha Iyer |
Twilight on the Snow | 0:53 | Leído por Amy Gramour |
Image | 1:32 | Leído por MaryAnn |
The Refuge of Beauty | 1:26 | Leído por MaryAnn |
Nightmare | 1:08 | Leído por Anusha Iyer |
The Mummy | 1:08 | Leído por Anusha Iyer |
Forgetfulness | 0:56 | Leído por Amy Gramour |
Flamingoes | 0:44 | Leído por Amy Gramour |
The Chimaera | 1:24 | Leído por Sandra Cullum |
Satan Unrepentant | 6:27 | Leído por Thomas A. Copeland |
The Abyss Triumphant | 1:23 | Leído por Anusha Iyer |
The Motes | 0:37 | Leído por Amy Gramour |
The Medusa of Despair | 1:15 | Leído por Anusha Iyer |
Laus Mortis | 1:14 | Leído por Anusha Iyer |
The Ghoul and the Seraph | 7:05 | Leído por Harley James |
At Sunrise | 1:13 | Leído por nbvoices |
The Land of Evil Stars | 1:56 | Leído por Sandra Cullum |
The Harlot of the World | 1:10 | Leído por Anusha Iyer |
The Hope of the Infinite | 1:16 | Leído por Anusha Iyer |
Love Malevolent | 1:15 | Leído por Anusha Iyer |
Palms | 0:43 | Leído por Amy Gramour |
Memnon at Midnight | 1:20 | Leído por Anusha Iyer |
Eidolon | 1:13 | Leído por Anusha Iyer |
The Kingdom of Shadows | 2:24 | Leído por Anusha Iyer |
Requiescat in Pace | 1:55 | Leído por Anusha Iyer |
Alexandrines | 1:19 | Leído por Anusha Iyer |
Ashes of Sunset | 0:51 | Leído por Anusha Iyer |
November Twilight | 0:37 | Leído por Amy Gramour |
Sepulture | 1:17 | Leído por Anusha Iyer |
Quest | 1:52 | Leído por Anusha Iyer |
Beauty Implacable | 1:20 | Leído por Anusha Iyer |
A Vision of Lucifer | 1:12 | Leído por Anusha Iyer |
Desire of Vastness | 1:15 | Leído por Anusha Iyer |
Anticipation | 0:44 | Leído por Amy Gramour |
A Psalm to the Best Beloved | 1:28 | Leído por Anusha Iyer |
The Witch in the Graveyard | 4:23 | Leído por Harley James |
The Traveler | 3:50 | Leído por Anusha Iyer |
The Flower-Devil | 2:44 | Leído por Amy Gramour |
Images | 2:54 | Leído por Anusha Iyer |
The Black Lake | 2:31 | Leído por Anusha Iyer |
Vignettes | 4:41 | Leído por Thomas A. Copeland |
A Dream of Lethe | 2:27 | Leído por Anusha Iyer |
The Caravan | 2:09 | Leído por Anusha Iyer |
The Princess Almeena | 1:51 | Leído por MaryAnn |
Ennui | 4:22 | Leído por Thomas A. Copeland |
The Statue of Silence | 1:20 | Leído por Anusha Iyer |
Remoteness | 1:06 | Leído por Amy Gramour |
The Memnons of the Night | 2:32 | Leído por Anusha Iyer |
The Garden and the Tomb | 1:35 | Leído por Amy Gramour |
In Cocaigne | 2:01 | Leído por Anusha Iyer |
The Litany of the Seven Kisses | 1:59 | Leído por Jacquelyn Bengfort |
From a Letter | 2:03 | Leído por Jacquelyn Bengfort |
From the Crypts of Memory | 5:15 | Leído por Sandra Cullum |
A Phantasy | 1:38 | Leído por Anusha Iyer |
The Demon, the Angel, and Beauty | 4:55 | Leído por Anusha Iyer |
The Shadows | 4:48 | Leído por Thomas A. Copeland |
Reseñas





A LibriVox Listener
The hashish eater owes a debt to the French Decadents who wrote about fantastic visions and flights of fancy they got from hashish and other drugs, as well as from DrQuincy. Coleridge, though he took only a small doctor prescribed dose of opium, was believed to have seen what he describes in hus fantastic poetry in opium dreams. The most immediate influence is A Wine of Wizardy. I am sure the bohemian Californian probably tried marijuana with some of his artist and poet friends, but a sober mind must have perfected the dense web of allusions and imagery in his poetry.
Some sublime moments!





DrRobbo
This is wonderful poetry- but it's depends so much upon a suitable reader. In this regard- the "Hashish Eater", is the best poem in this collection, and its reader here is wonderful. This rendition alone will change your life forever, as it opens a door to the sublime, to the ineffable pleroma.... Having said this, some of the renditions are very poor, without sense of meter or meaning.....In stercore, est sublimitas.