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Fifty-One Tales

Read by Thomas A. Copeland


Lord Dunsany


Very brief, well-crafted stories, many having surprise endings, all steeped in the dye of myth and calling to every reader's neglected imagi…

Paradise Lost (version 2)

Read by Thomas A. Copeland


John Milton


As Vergil had surpassed Homer by adapting the epic form to celebrate the origin of the author’s nation, Milton developed it yet further to r…

A Princess of Mars (Version 3)

Read by Thomas A. Copeland


Edgar Rice Burroughs


John Carter is mysteriously conveyed to Mars, where he discovers two intelligent species continually embroiled in warfare. Although he is a …

Frankenstein, or The Modern Prometheus (Edition 1831)

Read by Thomas A. Copeland


Mary Shelley


A mentally unstable genius, Victor Frankenstein, inspired by the dreams of ancient alchemists and empowered by modern science, creates a hum…

The Warlord of Mars (version 2)

Read by Thomas A. Copeland


Edgar Rice Burroughs


In this third installment of the adventures of John Carter on Mars, our hero labors under sentence of death (for having returned from the la…

Phantastes: A Faerie Romance for Men and Women (version 2)

Read by Thomas A. Copeland


George MacDonald


An author who means to end a story with some variation of “And they all lived happily ever after” had better deal before that point not just…

The Faerie Queene (version 2)

Read by Thomas A. Copeland


Edmund Spenser


Spenser planned a 24-book romance-epic consisting of two parts, of which he completed half of the first. The first twelve books were to illu…

Thuvia, Maid of Mars (version 2)

Read by Thomas A. Copeland


Edgar Rice Burroughs


John Carter's son, Carthoris, falls in love with his father's true friend, Thuvia of Ptarth, but she has been promised to another and is kid…

The Chessmen of Mars (version 2)

Read by Thomas A. Copeland


Edgar Rice Burroughs


Tara of Helium, John Carter's second child, is nearly as beautiful as her mother, Deja Thoris, and as independent-minded as her father. Thes…

Paradise Regain'd (version 2)

Read by Thomas A. Copeland


John Milton


Having been publicly acknowledged as God's "beloved Son," Jesus retires to the desert to meditate upon what it means to be the Mes…

The Sea Lady (Version 2)

Read by Thomas A. Copeland


H. G. Wells


A mermaid contrives to have herself "rescued from drowning" and adopted by a respectable family on the English coast. Her motive,…

Le Paradis Perdu

Read by Thomas A. Copeland


John Milton


Comme Virgile a développé l’épopée à célébrer l’origine de sa propre patrie, Milton l’a ada…

Areopagitica (Version 2)

Read by Thomas A. Copeland


John Milton


The noblest and most extensive defense of freedom of the press in English. Although Milton was sufficiently practical to serve as a censor o…

Jerusalem Delivered

Read by Thomas A. Copeland


Torquato Tasso


The First Crusade provides the backdrop for a rich tapestry of political machinations, military conflicts, martial rivalries, and love stori…

The History of Britain

Read by Thomas A. Copeland


John Milton


A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE a…

Absalom and Achitophel

Read by Thomas A. Copeland


John Dryden


John Dryden published Absalom and Achitophel: A Poem in 1681. It is an elaborate historical allegory using the political situation faced by …

Black Amazon of Mars (Version 3)

Read by Thomas A. Copeland


Leigh Douglass Brackett


In his final adventure on Mars, Eric John Stark acquires a relic of an ancient Martian hero, a gem or lens which is believed to be the key t…

The Castle of Otranto (Version 2)

Read by Thomas A. Copeland


Horace Walpole


The Castle of Otranto is regarded as the first Gothic novel, a genre appealing to a taste for terror and set in a remote past when prodigies…

The Lady of the Shroud

Read by Thomas A. Copeland


Bram Stoker


As the title suggests, this work does flirt with the supernatural. Yet it is essentially a political novel—a utopian experiment in a fictiti…

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